The Cherry Hill Chainsaw Massacre

In mid-1980, the slasher subgenre was in full swing, and it came equipped with a handful of motifs: each new entry featured a silent serial killer whose identity was shielded by a mask, they wielded a bladed weapon, targeted their victims over the course of a holiday, and did so typically at a party at which an abundance of sexually active, hard-drinking teenagers gathered at once like moths drawn to light. The movie that popularized these tropes, minus the party aspect, was John Carpenter and Debra Hill's Halloween in 1978, in which a 21-year-old mental patient escapes from an asylum to which he was committed at the age of six for the murder of his older sister on Halloween night and returns to his hometown on the 15th anniversary to stalk and murder a group of teenage babysitters. Two years later, writer Victor Miller and director Sean Cunningham adopted the most integral ingredients of Halloween 's critical and commercial success while upping the ante for Friday the 13th vi...

In 1993, two film students at the University of Central Florida, Daniel Myrick and Eduardo Sanchez, after realizing they shared a mutual preference for documentaries exploring paranormal phenomena over traditional horror films, conspired to produce their own horror film that combined the styles of both. They developed a 35-page screenplay while leaving dialogue to be improvised, placing a casting call advertisement in Backstage requesting actors with strong improvisational abilities. The end result was The Blair Witch Project , a supernatural horror phenomenon that utilized the most basic of ingredients -- a trio of young unknown actors and the classically nightmarish setting of a forest -- to tell a terrifying story about the fear of becoming lost in the woods and hunted by an invisible but implacable force of otherworldly evil.   With the complete absence of special effects or even a glimpse of the titular witch, Myrick and Sanchez relied exclusively on the evocative power of nat...

The opening sequence of Creep 2 , a sequel to Patrick Brice and Mark Duplass' found-footage psychological horror hit that lives on Netflix, plays like the opening of your standard horror sequel, suggesting a rehash that treats its predecessor like an understood iconic phenomenon. A young Indian man named Dave (Karan Soni) is alone in his home one night when he receives a mysterious package in the mail from a recent stalker. Clearly, Dave is assuming the role of Aaron Franklin, Brice's ill-fated protagonist from the inaugural Creep . Having become the latest unsuspecting target of prolific serial killer Josef (Duplass), Dave opens the package, which, unbeknownst to him, is equipped with a camera hidden inside a stuffed baby wolf. Straight out of the gate, Brice and Duplass, both resuming their capacities from their original creation (Brice as director, co-writer, and co-cinematographer, Duplass as co-writer), load this cold open with clever callbacks for fans, transporting us r...