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The Long Walk (2025)

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Stephen King is the most renowned horror author still living, his numerous works of literature having given birth to some of the most legendary horror films and their antagonists. Notably, his affinity for horror seems to almost invariably be rooted in the realm of the supernatural, whether it be a socially alienated teenage girl exploiting her dormant telekinesis to exact vengeance on the sadistic students who've bullied her her entire life, a recovering alcoholic patriarch becoming possessed by the spirits of the hotel in which he's taken a job as a winter caretaker, or an Indian burial ground that restores life to recently deceased pets with the caveat that they make their owners realize that "sometimes, dead is better." But sometime in 1966-1967, during his freshman year at the University of Maine, King began writing what would become his first-ever novel, and while it fit into the genre of horror, the cause was rooted entirely in the here and now. Even the most i...

The Manson Family (1997)

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Before Jim Van Bebber, the writer, director, and co-editor of The Manson Family , commenced production on his exploitation true-crime splatter flick, the infamous real-life horror story of the Charles Manson Family murders -- a series of murders that transpired in the summer of 1969 and claimed the lives of nine innocent human beings, ten if you include an unborn baby -- had been dramatized only as a single stuffy made-for-TV courtroom drama titled Helter Skelter . While it may have featured a legendary performance from Steve Railsback as Charles Manson, the focus of the narrative was the prosecution of Manson and his cult of deluded, white supremacist followers as told from the perspective of Vincent Bugliosi.  This tragic, stranger-than-fiction chapter in American history is the greatest and most earth-shaking horror story ever committed to the history books, and with its intoxicating cocktail of sex, carnage, emotional manipulation, and a bevy of colorful personalities, Van Bebb...

You're Next (2013)

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You're Next  subverts the home invasion slasher subgenre of horror in a number of ways: the protagonist turns out to be a smarter, better prepared, and more ferocious killer than the actual arrow-slinging antagonists targeting her; a couple of the supposed targets are complicit in the slaying of their own family; a few of the characters are unlikable to the degree of daring the viewer to actively root against them; the most obnoxious character is innocent of murder, while the most seemingly innocent and good-natured is a co-conspirator; and the masked, silent assailants eventually remove their masks and verbally interact with the people who enlisted their services.  The gold standard of the home invasion horror subgenre will forever remain Bryan Bertino's The Strangers . Emphasizing the power of intimation and slow-building suspense over graphic demonstrations of viscera, Bertino brought the American slasher back to its blissfully straightforward roots. The story -- a couple a...